This album is yet another acoustic guitar album that LC has gotten us used to in the late 70's, and here half the record is a recording of his third appearance at the Montreux festival in the summer of 78. The first time around (71), he had come with a rock group, the second time around (74), he was with his Eleventh House group, and this time around, he came as a solo acoustic guitarist, again reflecting well what he was up to at the time. With an alpine artwork and a long-haired Larry hunched over his Ovation guitar on the back cover, this album is an unaccompanied straight acoustic guitar album, the typical stuff LC was into in the late 70's, somewhere between Reinhardt and acoustic blues-jazz. Better investigate Lion & Ram album, to see if you could be into this one.
An all acoustic/instrumental album, the first three tracks of which were recorded live at Montreux. The last 4 are studio tracks, later included on Coryell's "Tributaries" album.
A very scary album in that this man is definitely a virtuoso and pulls all the stops on his acoustic guitar. This most underrated guitar player can surely do it all.
I wouldn't call the studio tracks very memorable unlike the live ones that are memorable, so this is more of an album that has you appreciating the acoustic guitar more than appreciating the songwriting.
Everything from fiery quickness to funky subtleness.
Tracks 1 to 3 recorded live at the Montreux Jazz Festival, Switzerland on July 23, 1978;
Tracks 4 to 7 recorded at Soundmixers, NYC on August 17, 1978.
1. Toronto Under The Sign Of Capricorn (8:38)
2. For Philip And Django (4:31)
3. Rodrigo Reflections (7:21)
4. April Seventh (5:50)
5. Silver Medley: Song For My Father / Sister Sadie (5:22)
6. Copenhagen Impressions (4:00)
7. Variations On A Theme (2:47)
Total Time 38:29
Line-up / Musicians
- Larry Coryell / solo acoustic guitar