Michal Urbaniak is a jazz-fusion violinist from the 1970s who style is
similar to Jean-Luc Ponty. Issuing many fine albums over decades, many
of them feature his wife Ursula Dudziak. Fusion III was originally
issued in 1975 on Columbia Records. In addition to Dudziak, this album
features John Abercrombie, Anthony Jackson, Steve Gadd & Larry
Coryell.
With song structures similar to Mahavishnu Orchestra and electric-era Return to Forever,
Michal Urbaniak's Fusion III appealed to the same fusion-buying
clientele. What most distinguishes this music from that of its
contemporaries was the unique vocalizing of Urbaniak's wife, Ursula
Dudziak. She could sound at times like a Polish Flora Purim,
at other times like a synthesized presence from another world. On this
recording, Urbaniak's playing is fresh and engaging, and his
compositions occasionally sound like Frank Zappa's instrumental work
from this same era. John Abercrombie and Larry Coryell turn in blistering guitar passages, and bassist Anthony Jackson and drummer Steve Gadd provide a funkified rhythmic foundation.
Very engaging and funky fusion disc from 1975, featuring not only
Urbaniak's soaring gypsy drenched violin but also the other-worldly
vocalese of his then-wife Ursula Dudziak (quite an original vocal artist
in her own right).
The songs combine a lot of playfully twisty
be-bop like melody lines with rip-snorting funk, chiming electric pianos
and fiery rock sensibilities, particularly the searing guitars of John
Abercrombie (check out the spine-chilling solo on "Metroliner") and
Larry Coryell (who seriously rocks out on "Bloody Kishka"). plus a
killer rhythm section of bassist Anthony Jackson with drummers Steve
Gadd and Gerry Brown.
My favorite tracks include the bluesy and
yet thoroughly unpredictable "Roksanna" that builds from a loping 3/4
time swing to a fiery romp with those bop lines by Michal and Urszula
weaving in and out of each other like mad! As mentioned earlier,
"Metroliner" with it's grand sweeping chord progressions and John
Abercrombie's thick searing legato solo. "Prehistoric Bird" soars like
its namesake, and then gets downright funky, with bassist Anthony
Jackson laying down a relentless and creative groove the whole way
through as Steve Gadd plays like he had only 5 minutes to live. Other
highlights include the alternately mournful and playful "Kuyaviak Goes
Funky" the mysterious "Cameo" and the crazed funk of "Chinatown" Pts 1
AND 2, part one sees Abercrombie dueling with Michal, and on Pt 2, it's
Larry Coryell's turn.
If you like your fusion with lots of funk
and soem East European gypsy flavor thrown in, you can;t go wrong with
Michal Urbnaniak's Fusion III.
It's been a long time since I heard this album on the turntable. After
buying this classic on cd recently, it brought me back to the time in
the 1970's when Jazz Fusion was heard on the radio and when I went to
the local record stores and was able to purchase this great genra of
music readily. This is a long lost classic, however, I'm so glad that
it's available online. If you truly enjoy virtuoso violin and electric
guitar as well as great electric bass and drums, along with some cool
oddities thrown in for good measure and amusement, then this is the cd
for you. Excellent!!
Tracks Listing
1. Chinatown [part 1] (5:24)
2. Kujaviak Goes Funky (6:12)
3. Roksana (5:42)
4. Crazy Kid (2:35)
5. Prehistoric Bird (5:19)
6. Bloody Kishka (4:21)
7. Cameo (4:41)
8. Stretch (6:20)
9. Metroliner (4:44)
10. Chinatown [Part II] (3:56)
Line-up / Musicians
-Michal Urbaniak/ electric violin, violin synthesizer
-Urszula Dudziak/ voice, percussion, electronic percussion
-Wlodek Gulgowski/ electric piano, Moog, and electric organ
-Anthony Jackson/ bass guitar
-Gerald Brown/ drums
-Steve Gadd/ drums
-Larry Coryell/ guitar
-John Abercrombie/ guitar
-Joe Caro/ guitar
-Bernard Kafka/ voice
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ReplyDeleteAll quality material. Many thanks.
ReplyDeleteCould you do a re-up please? Just found this vinyl and I would love to have a digital copy as well.
ReplyDeleteNew link!
DeleteI bought this LP two times - once from Papa Jazz in Columbia SC and once from Nice Priced Books in Raleigh - and BOTH copies had the track with Larry Coryell almost worn out. The rest of the albums were in pretty good shape. Some people out there were probably trying to learn the guitar part for "Bloody Kishka"!
ReplyDeleteThat's a good story
DeleteMais uma novidade. Obrigado!
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