Miles Davis - 1971 [2003] "The Complete Jack Johnson Sessions" [5 CD Box]

The Complete Jack Johnson Sessions were recorded in April 1970 by Miles Davis, and released in September 2003. These sessions formed the basis for the 1971 album Jack Johnson, as well as some of the studio portions of Live-Evil.

Jack Johnson, also known as A Tribute to Jack Johnson, is a soundtrack recorded by American jazz musician Miles Davis. The album was the second film score Davis had composed, after Ascenseur pour l'échafaud in 1957. In 1970, Davis was asked by Bill Cayton to record music for his documentary of the same name on the life of boxer Jack Johnson. Johnson's saga resonated personally with Davis, who wrote in the album's liner notes of Johnson's mastery as a boxer, his affinity for fast cars, jazz, clothes, and beautiful women, his unreconstructed blackness, and his threatening image to white men.
Jack Johnson was a turning point in Davis' career and has since been viewed as one of his greatest works. Davis, who wanted to put together what he called "the greatest rock and roll band you have ever heard," recorded with a line-up featuring guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham. The album's two tracks were drawn from one recording session on April 7 and edited together with recordings from February 1970 by producer Teo Macero. The music reflected Davis' interest in the eclectic jazz fusion of the time, but also foreshadowed the hard-edged funk that would fascinate him in the next few years.

The first major recording session for the album, which took place on April 7, 1970, was almost accidental: John McLaughlin, awaiting Miles's arrival, began improvising riffs on his guitar, and was shortly joined by Michael Henderson and Billy Cobham. Meanwhile, the producers brought in Herbie Hancock, who had been passing through the building on unrelated business, to play the Farfisa organ. Miles arrived at last and began his solo at about 2:19 on the first track.
The album's two long tracks were assembled in the editing room by producer Teo Macero. "Right Off" is constructed from several takes and a solo by Davis recorded in November 1969. It contains a riff based on Sly and the Family Stone's "Sing a Simple Song". Much of the track "Yesternow" is built around a slightly modified version of the bassline from the James Brown song "Say It Loud – I'm Black and I'm Proud".This may be a deliberate allusion to the song's Black Power theme as it relates to the film's subject. "Yesternow" also incorporates a brief excerpt of "Shhh/Peaceful" from Davis's 1969 album In a Silent Way and a 10-minute section comprising several takes of the tune "Willie Nelson" from a session on 18 February 1970.

"Right Off" comprises a series of improvisations based on a B flat chord, but changing after approximately 20 minutes to an E chord. "Yesternow" has a similar B flat ostinato and shifts to C minor. It concludes with a voiceover by actor Brock Peters: "I'm Jack Johnson, heavy-weight champion of the world. I'm black. They never let me forget it. I'm black all right. I'll never let them forget it." The album's liner notes provide a description of the music.
Michael Henderson launches into an enormous boogie groove with Billy Cobham and John McLaughlin. Miles immediately leaves the control room to join in with them. He achieved exactly what he wanted for the soundtrack by creating the effect of a train going at full speed (which he compared to the force of a boxer). By chance, Herbie Hancock had arrived unexpectedly and started playing on a cheap keyboard that a sound engineer quickly connected.

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes. This was from the musicians' point of view, in a single take, recorded as McLaughlin began riffing in the studio while waiting for Miles; it was picked up on by Henderson and Cobham, Hancock was ushered in to jump on a Hammond organ (he was passing through the building), and Miles rushed in at 2:19 and proceeded to play one of the longest, funkiest, knottiest, and most complex solos of his career. Seldom has he cut loose like that and played in the high register with such a full sound.

 In the meantime, the interplay between Cobham, McLaughlin, and Henderson is out of the box, McLaughlin playing long, angular chords centering around E. This was funky, dirty rock & roll jazz. There is this groove that gets nastier and nastier as the track carries on, and never quits, though there are insertions by Macero of two Miles takes on Sly Stone tunes and an ambient textured section before the band comes back with the groove, fires it up again, and carries it out. On "Yesternow," the case is far more complex. There are two lineups, the one mentioned above, and one that begins at about 12:55. The second lineup was Miles, McLaughlin, Jack DeJohnette, Chick Corea, Bennie Maupin, Dave Holland, and Sonny Sharrock. The first 12 minutes of the tune revolve around a single bass riff lifted from James Brown's "Say It Loud, I'm Black and I'm Proud." The material that eases the first half of the tune into the second is taken from "Shhh/Peaceful," from In a Silent Way, overdubbed with the same trumpet solo that is in the ambient section of "Right Off." It gets more complex as the original lineup is dubbed back in with a section from Miles' tune "Willie Nelson," another part of the ambient section of "Right Off," and an orchestral bit of "The Man Nobody Saw" at 23:52, before the voice of Jack Johnson (by actor Brock Peters) takes the piece out.

 The highly textured, nearly pastoral ambience at the end of the album is a fitting coda to the chilling, overall high-energy rockist stance of the album. Jack Johnson is the purest electric jazz record ever made because of the feeling of spontaneity and freedom it evokes in the listener, for the stellar and inspiring solos by McLaughlin and Davis that blur all edges between the two musics, and for the tireless perfection of the studio assemblage by Miles and producer Macero.

The role of guitarist Sonny Sharrock is finally defined here. It has previously been discounted and provided endless grist for the Davis rumor mill how he was mixed out of the session. Yes, he was, but so was almost everyone but McLaughlin and Miles at one point or another. Check out Sharrock's killer slide playing that appears on the second inset of "Willie Nelson." For those who worship at the McLaughlin altar, there are the extra minutes of screaming, fuzz-drenched wailing on "Right Off" that were left on the floor by Macero.

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Track listing:
All compositions by Miles Davis except where noted.

Disc 1
1. "Willie Nelson (Take 2)**" February 18, 1970 at Columbia 30th Street Studio B 6:41
2. "Willie Nelson (Take 3)*" February 18, 1970 at CBS 30th Street Studio 10:21
3. "Willie Nelson (Insert 1)**" February 18, 1970 at CBS 30th Street Studio 6:33
4. "Willie Nelson (Insert 2)**" February 18, 1970 at CBS 30th Street Studio 5:22
5. "Willie Nelson (Remake Take 1)*" February 27, 1970 at Columbia Studio B 10:45
6. "Willie Nelson (Remake Take 2)" February 27, 1970 at Columbia Studio B 10:17
7. "Johnny Bratton (Take 4)*" February 27, 1970 at Columbia Studio B 8:18
8. "Johnny Bratton (Insert 1)*" February 27, 1970 at Columbia Studio B 6:39
9. "Johnny Bratton (Insert 2)*" February 27, 1970 at Columbia Studio B 5:20
10. "Archie Moore*" March 3, 1970 at Columbia Studio B 4:45

Disc 2
1. "Go Ahead John (Part One)**" March 3, 1970 at Columbia Studio B 13:07
2. "Go Ahead John (Part Two A)**" March 3, 1970 at Columbia Studio B 7:00
3. "Go Ahead John (Part Two B)**" March 3, 1970 at Columbia Studio B 10:06
4. "Go Ahead John (Part Two C)**" March 3, 1970 at Columbia Studio B 3:38
5. "Go Ahead John (Part One Remake)**" March 3, 1970 at Columbia Studio B 11:04
6. "Duran (Take 4)*" March 17, 1970 at Columbia Studio C 5:37
7. "Duran (Take 6)" March 17, 1970 at Columbia Studio C 11:20
8. "Sugar Ray*" March 20, 1970 at Columbia Studio B 6:16

Disc 3
1. "Right Off (Take 10)" April 7, 1970 at Columbia Studio B 11:09
2. "Right Off (Take 10A)**" April 7, 1970 at Columbia Studio B 4:33
3. "Right Off (Take 11)**" April 7, 1970 at Columbia Studio B 5:58
4. "Right Off (Take 12)**" April 7, 1970 at Columbia Studio B 8:49
5. "Yesternow (Take 16)*" April 7, 1970 at Columbia Studio B 9:49
6. "Yesternow (New Take 4)**" April 7, 1970 at Columbia Studio B 16:02
7. "Honky Tonk (Take 2)**" May 19, 1970 at Columbia Studio C 10:04
8. "Honky Tonk (Take 5)*" May 19, 1970 at Columbia Studio C 11:29

Disc 4
1. "Ali (Take 3)*" May 19, 1970 at Columbia Studio C 6:50
2. "Ali (Take 4)*" May 19, 1970 at Columbia Studio C 10:16
3. "Konda**" May 21, 1970 at Columbia Studio C 16:29
4. "Nem Um Talvez (Take 17)*" (Hermeto Pascoal) May 27, 1970 at Columbia Studio C 2:50
5. "Nem Um Talvez (Take 19)*" (Hermeto Pascoal) May 27, 1970 at Columbia Studio C 2:54
6. "Little High People (Take 7)*" (Hermeto Pascoal) June 3, 1970 at Columbia Studio C 6:52
7. "Little High People (Take 8)*" (Hermeto Pascoal) June 3, 1970 at Columbia Studio C 9:28
8. "Nem Um Talvez (Take 3)*" (Hermeto Pascoal) June 3, 1970 at Columbia Studio C 4:36
9. "Nem Um Talvez (Take 4A)" (Hermeto Pascoal) June 3, 1970 at Columbia Studio C 2:04
10. "Selim (Take 4B)" (Hermeto Pascoal) June 3, 1970 at Columbia Studio C 2:15
11. "Little Church (Take 7)*" (Hermeto Pascoal) June 4, 1970 at Columbia Studio C 3:18
12. "Little Church (Take 10)" (Hermeto Pascoal) June 4, 1970 at Columbia Studio C 3:15

Disc 5
1. "The Mask (Part One)*" June 4, 1970 at Columbia Studio C 7:47
2. "The Mask (Part Two)*" June 4, 1970 at Columbia Studio C 15:45
3. "Right Off" April 7, 1970 at Columbia Studio B 26:54
4. "Yesternow" April 7, 1970 at Columbia Studio B ("Yesternow") + February 18, 1970 at Columbia Studio B ("Willie Nelson", uncredited) 25:36

"Right Off" includes an excerpt from an unaccompanied trumpet solo from November 19 or 18, 1969
"Yesternow" includes excerpts from the unaccompanied November 1969 trumpet solo with arco bass overdubbed, "Shhh/Peaceful" from In a Silent Way and the unaccompanied November 1969 trumpet solo with the following overdubs: orchestra arranged by Teo Macero and narration by Brock Peters
"Willie Nelson (Remake Take 2)" and "Duran (Take 6)" were originally released on Directions.
All takes of "Go Ahead John" were released as one assembled track on Big Fun.
"Honky Tonk (Take 2)" was partially released Get Up With It and Live-Evil.
"Konda" was partially released on Directions.
"Nem Um Talvez (Take 4A)", "Selim (Take 4B)" and "Little Church (Take 10)" were released on Live-Evil.
(*) Previously Unissued
(**) Previously Unissued in Full

Personnel:

Miles Davis - Trumpet
Bennie Maupin - Bass Clarinet
Steve Grossman - Soprano Saxophone
Wayne Shorter - Soprano Saxophone
Chick Corea - Electric Piano, Organ, Electric Piano with Ring Modulator
Herbie Hancock - Organ, Electric Piano
Keith Jarrett - Electric Piano, Electric Piano with Wah Wah
Sonny Sharrock - Electric Guitar, Echoplex
John McLaughlin - Electric Guitar
Dave Holland - Electric Bass, Double Bass
Michael Henderson - Electric Bass
Gene Perla - Electric Bass
Ron Carter - Double Bass
Jack DeJohnette - Drums
Billy Cobham - Drums
Lenny White - Drums
Don Alias - percussion
Airto Moreira - Percussion, Berimbau, Cuica
Hermeto Pascoal - Voice, Drums