John Mclaughlin - 1995 "The Promise"

The Promise is a jazz album released in 1995 by John McLaughlin on Verve Records. The album peaked number 4 in the Billboard Top Jazz Albums chart 1996.

The Promise offers a summation of all the places John McLaughlin has been in his career, and points directly toward his future. Featuring a wide range of musicians including appearances by the Free Spirits, the Guitar Trio, and an electric version of Shakti, the Promise is easily the most wide-ranging and diverse offering of McLaughlin's long career. Its contents encompass everything from straight post-bop and swinging soul-jazz to fusion to modern takes on East Indian music as it meets the West.

As if this weren't enough, there are even moments with spoken word laced throughout, such as a verse of Dante read by Stefania Bombi toward the end of his scorching, funky, soul-jazz number "Thelonius Melodius" with B-3 organist Joey DeFrancesco and drummer Dennis Chambers.

The set kicks off with one of its finest moments, a guitar-to-guitar reading of John Lewis' "Django" with Jeff Beck (bassist Pino Palladino, drummer Mark Mondesir, and drummer Tony Hymas round it out). Beck's solo is first; it is expansive as it moves from a gorgeous restating of the melody through slinky harmonic extrapolations. McLaughlin's answer is ambitious and intuitive. They then move toward one another and the melody, complementing each other perfectly. "El Ciego" is a complex, flamenco-tinged jazz number with McLaughlin trading knotty lines and soulful solos with Al di Meola and Paco de Lucia. "Jazz Jungle" is late 20th century fusion at its blazing best with Michael Brecker, Chambers, Don Alias, James Genus, and Jim Beard beginning almost nebulously before ratcheting the tempo and idea palettes to dizzying heights (Brecker is particularly brilliant). "The Wish," with Zakir Hussein, Nishat Khan, and Trilok Gurtu, looks deeply into Indian classical music balanced by a European gaze.

McLaughlin's engagement with Khan's sitar creates nearly rapturous expression, all the while contained inside a texture that is as atmospheric as it is exotic. "Shin Jin Rui" employs the same band as "Jazz Jungle," with the exception of the saxophone, played by David Sanborn. His playing is riskier than on his own records, his alto juxtaposed with McLaughlin's guitar, a study in funky, electric jazz modernism.

The set closes with a lovely all-acoustic reading of Jimmy Rowles' "The Peacocks" with guitarist Phillipe Loi and bassist Yan Maresz, and a verse by Lorca read by Susana Beatrix as an end cap. Ultimately, The Promise stands as one of McLaughlin's towering achievements as a guitarist and leader.

Some highly respected music critics criticized this 1996 effort as a hodge-podge of musical ideas with no central theme. However, they are mistaken. Clearly the thematic nature of this outing was the diversity of the music itself. The original tunes are compositionally strong, and the playing throughout is purposeful and exquisite. McLaughlin has gathered several of his friends—who happen to occupy the higher echelons of music—for The Promise 's musical journey through genres ranging from the all-out bombastic fusion of "Jazz Jungle" to the Euro-Indian strains of "The Wish". A vast list of musicians join the festivities.

The Promise was the jazz guitar event of 1996. The Beck/McLaughlin reworking of John Lewis' tune "Django" is itself worth the price of admission. Beck's playing opens the piece and the album, making you wonder whether even the great McLaughlin can compare. He does, of course, and in such a way as to make any comparisons an exercise of nonsense. Their interplay is complimentary and utterly brilliant. They should record a whole album together.

"Jazz Jungle" is a true fusion number. Its energy is greater than that of a jumbo jet during take-off (which is also a good description of Dennis Chambers' drumming on this tune). John McLaughlin, at 54, can still wail with purpose better than any young pretender to the throne. Amazing. Guest musician Michael Brecker makes his mark on this piece as perhaps the finest fusion saxophonist on the scene.

"Shin Jin Rui" features a reunion of sorts with jazz-pop sax man David Sanborn. Sanborn doesn't seem to take chances like this on his own albums. He is sympatico with McLaughlin. (Check out Sanborn's appearances on two other McLaughlin albums, Electric Guitarist and Electric Dreams. )

The Promise also features the brief returns of The Free Spirits, The Guitar Trio, and an electric version of Shakti. It is a potpourri of musical styles and performers. Yet, despite its disparate compositions and styles, the record manages to be a cohesive work of art. Spoken passages lead the way, and even a short one and a half minute jam with Sting makes sense in context. Bravo!

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Track listing:

All tracks composed by John McLaughlin; except where indicated

01 "Django" (John Lewis) – 7:24
02 "Thelonius Melodius" – 5:22
03 "Amy and Joseph" – 2:28
04 "No Return" – 7:20
05 "El Ciego" – 9:10
06 "Jazz Jungle" – 14:45
07 "The Wish" – 8:39
08 "English Jam" (Vinnie Colaiuta, John McLaughlin, Sting) – 1:12
09 "Tokyo Decadence" – 0:39
10 "Shin Jin Rui" – 10:47
11 "The Peacocks" (Jimmy Rowles) – 5:53

Personnel:

John McLaughlin – acoustic guitar, electric guitar, keyboards, MIDI guitar
Don Alias – percussion
Jim Beard – keyboards
Dennis Chambers – drums
Vinnie Colaiuta – drums
James Genus – bass guitar
Zakir Hussain – tabla
Nishat Khan – sitar, vocals
Yan Maresz – arranger, acoustic bass guitar, bass guitar
Mark Mondesir – drums
Pino Palladino – bass
Mariko Takahashi – vocals

Guest Artists:

Jeff Beck – electric guitar
Michael Brecker – tenor sax
Joey DeFrancesco – Hammond organ, trumpet
Al Di Meola – acoustic guitar
Trilok Gurtu – percussion
Tony Hymas – keyboards
Paco de Lucía – acoustic guitar
David Sanborn – alto sax
Sting – bass