Wednesday, September 6, 2017
Simon Phillips - 2009 "Another Lifetime"
Simon Phillips can do it all. Phillips has recorded on two Buddy Rich Big Band tributes, showcasing his ability to read complex charts and swing with passion or supporting the likes of “The Who”, Peter Gabriel, Gil Evans and many others too numerous to cite here. On “Another Lifetime”, Phillips expands his working unit with the additions of guitarist Andy Timmons, saxophonist Wendell Brooks, percussionist Peter Michael Escovedo and keyboardist Jeff Babko. The proceedings get off to a heated start with the Phillips/Russell composition “Jungleyes”. Here, the blistering crunch chords from the twin guitarists provide the ammunition for Phillips’ commanding presence yet the composition takes on a new light when the guitarists emulate a mini-brass section with soaring and melodic unison lines. Throughout, Phillips and co. tread waters that bound Prog-Rock, Fusion and Jazz which makes it fairly evident that Phillips is a well-schooled and diverse technician/composer. On Phillips’ “Freudian Slip” saxophonist Wendell Brooks along with the dynamic guitar work of Russell and Timmons craft enticing upper register thematic statements as Phillips’ sturdy and pronounced backbeat guides the tune on a whirlwind course. As in the past, Phillips reaps many rewards performing with the brilliant Anthony Jackson. Jackson is arguably one of the world’s finest bassists. Jackson plays yet constantly explores his instrument while providing one of the most distinctive “bottoms” in the business. Jackson’s approach is muscular, slick and extremely “musical” while rarely, if ever conveying an obtrusive presence. Percussionist Escovedo and keyboard ace Jeff Babko provide the complimentary accents yet also maintain a hearty presence while rounding out the colossal and fiery band sound. Phillips’ “Kumi Na Moja” is a straight-ahead burner featuring some appealing and crafty time signatures that should keep the listener on the edge of his or her seat. Engaging motifs, dynamic chord progressions, captivating solo work, supplemented by swift double bass drums and thunderous tom-tom maneuvers from the master. “Kumi Na Moja” is a tour-de-force. Things let up a bit on the Phillips/Russell composition “Mountain High”. This piece serves as a good vehicle for saxophonist Wendell Brooks. “Mountain High” is an innocent yet moody tune which hints at Adult Contemporary or New Age but features some charming and airy phrasing by Brooks’ clean soprano work. Phillips and Russell’s “Euphrates” features Phillips’ performing polyrhythmic patterns across his toms while Anthony Jackson thumps his bass in linear fashion as he constructs engaging patterns and difficult octaves which at times mimic the semblance of two bassist’s. The closer, Phillips and Russell’s “Another Lifetime” is a highly charged Jazz induced scorcher where everyone gets a chance to extend their wares. This track could also serve as an appropriate finale for the “live” show.
“Another Lifetime” may in fact be Simon Phillips’ finest solo release to date. Other than the extraordinary soloing and interplay among the band, Phillips and Ray Russell get high marks for strong compositional development which should meet or exceed the expectations of most Simon Phillips fans. “Another Lifetime” makes for compelling listening and should satisfy the appetites of those who have been anticipating this release. Highly Recommended!
If you took musicians who have worked on projects with artists as diverse as Olivia Newton-John, Vanilla Ice, Tim McGraw, Julio Iglesias, Tina Turner, the London Symphony Orchestra, Ashford & Simpson, the Bee Gees, George Benson, Jimmy Buffett, Chick Corea, the Doobie Brothers, the Four Tops, Stephane Grappelli, Lena Horne, Joe Jackson, Madonna, the O'Jays, John Sebastian, Doc Severinsen, Simon & Garfunkel, Steely Dan, Dionne Warwick, Sadao Watanabe, Jon Anderson, Big Country, Roger Daltrey, Mick Jagger, Judas Priest, Mike Oldfield, Trevor Rabin, Joe Satriani, and Whitesnake and put them together on a project, several questions might come to mind. Among those questions might be: Just how big of an army is this? Another would certainly be: What kind of music would these people make? Well, the answer to the first question is, just seven people (Simon Phillips, Andy Timmons, Wendell Brooks, Jeff Babko, Ray Russell, Anthony Jackson, and Pete Escovedo). The answer to the second question is not as simple to answer, but far more interesting. Overall the CD is a very enjoyable variety of jazz, but certainly progressive rock leanings and other sounds do emerge. Expect to hear funk alongside elements of both Pat Metheny and Al Dimeola. Don't be surprised if you pick up on hints of vintage Genesis. As one might expect with musicians boasting the above credentials, the album is exceptionally strong, both in terms of writing and performance. Also coming as no surprise, the drumming is top-notch and makes up a lot of the interest of the CD. However, the rest of the band definitely keep up their ends as well, serving up their unique blend of fusion. This is one that should serve to entertain both jazz aficionados and fans of progressive rock equally well. They just don't make them a lot better than this.
Simon Phillips has for years occupied a respected berth as one of the worlds best, most dynamic and in demand session drummers. My understanding
is that this is the first album he's done of original material fronting his own band.
In a nutshell this is high octane, high energy, beautifully performed jazz fusion of the highest order. Every cut is a gem and for fans of 5 star, kick out the jams instrumental music you're going to love this one.
1. Jungleyes 8:07
2. P O V 5:55
3. Freudian Slip 6:45
4. Eyes Blue For You 5:40
5. Kumi Na Moja 8:13
6. Mountain High 5:40
7. E S P 6:10
8. Euphrates 6:36
9. Another Lifetime 6:34
Total time - 59:40
Simon Phillips - Drums
Anthony Jackson - Bass
Andy Timmons - Guitar
Jeff Babko - Keyboards
Peter Michael Escovedo - Percussion
Ray Russell - Guitar
Wendell Brooks - Saxophone
Posted by Crimhead420 at 5:28 PM