Jazz Rock Fusion Guitar: Collin Walcott - 1976 [2008] "Cloud Dance"

Cloud Dance is the debut album by American sitarist and composer Collin Walcott, released in 1975 on the ECM label. For this record Walcott was joined by the group Gateway consisting of John Abercrombie, Dave Holland and Jack DeJohnette. It was recorded in March 1975, as was the group's debut Gateway. Abercrombie had worked with Walcott the previous year on David Liebman's Drum Ode (ECM 1046), and they collaborated again on Walcott's 1977 album Grazing Dreams.

The authors of the Penguin Guide to Jazz Recordings awarded the album 4 stars, praising its "freshness and originality," and stating: "'Prancing', for just tablas and double bass, is one of the most exciting performances in the ECM catalogue and convincing evidence of Walcott's desire to extend the idiom of the Garrison/Jones rhythm section... the album as a whole can quite reasonably be heard as a suite of related pieces that dance towards their thematic source in the closing title-piece."[7]

Writing for Vinyl Vault, Geoff Anderson commented: "The musicians were all top-flight and leaders in their own right. They came together and mixed the eastern and western sounds to create something like acoustic jazz-fusion with an Indian twist. Abercrombie's ethereal electric guitar, floating above and around Walcott's sitar is particularly effective in creating a dreamy, cloud-like ambience on several tunes. On the cut 'Prancing,' Walcott on tabla and Holland on bass put the 'dance' in 'Cloud Dance' with a particularly energetic and, yes, danceable performance."[8]

In an article at Between Sound and Space, Tyran Grillo called the recording "one of [Walcott's] most powerful albums ever to grace ECM's vinyl... grooves", and wrote: "The telephone wires on the cover are like the strings of some large instrument, with the sky as its sound box. Its clouds don't so much dance as perform, caressing endless waves of voices careening through the ether. The joy of Cloud Dance is that it makes those voices intelligible. Fans of Oregon, of which Walcott was of course an integral part, need look no further for likeminded contemplation."

Collin Walcott defined a corner of improvisation all his own with his unique approach to the sitar and tabla. When the newly-formed Gateway trio of John Abercrombie, Dave Holland and Jack DeJohnette joined him for “Cloud Dance” the results were magical.

The late, great Collin Walcott made his proper ECM debut on Cloud Dance (after an appearance three years earlier on Trios/Solos), where he was joined by the Gateway trinity—John Abercrombie, Dave Holland, and Jack DeJohnette—for one of his most powerful albums ever to grace ECM’s vinyl (and later, digital, thanks to a vital Touchstone series reissue) grooves. The marrow-warming twang of Walcott’s sitar sets up the opening “Margueritte” to be a long raga, when suddenly Abercrombie’s electric appears in kind, beckoning a chill entourage of bass and drums and touching off a pair of graceful solos from Abercrombie and Holland. The album’s remainder is fleshed out by a variety of intimate configurations. “Night Glider” and “Vadana” both feature guitar, bass, and sitar, the latter two instruments feeding beautifully off one another, the guitar weaving in and out where it may. The two duets between Walcott and Holland, however, are really where this album gilds its worth. Our frontman lays out plush carpets of tabla and sitar on “Prancing” and “Eastern Song,” respectively, over which Holland takes stock of every variation of pattern and thread count. The second of these pieces, while the briefest of the album, is also one of its most mesmerizing. Contrary to what the titles might have us believe, these are all genuinely realized pieces where the word “exotic” is but another puff of smoke in the breeze. And so, the heavy tabla and shawm-like guitar of “Scimitar” describes not the weapon wielded in the hands of countless white actors in uninformed filmic productions, but rather an exploration of the object on its own terms, tracing forms and histories, battles and silences alike, with due abandon. So, too, with the final and title cut that brings DeJohnette back into the mix for an animated closer.

The telephone wires on the cover are like the strings of some large instrument, with the sky as its sound box. Its clouds don’t so much dance as perform, caressing endless waves of voices careening through the ether. The joy of Cloud Dance is that it makes those voices intelligible. Fans of Oregon, of which Walcott was of course an integral part, need look no further for likeminded contemplation.

Track listing:

All compositions by Collin Walcott except as indicated.

"Margueritte" - 8:32

"Prancing" - 3:24

"Night Glider" - 6:40

"Scimitar" (John Abercrombie, Walcott) - 2:46

"Vadana" - 7:00

"Eastern Song" - 2:34

"Padma" (Abercrombie, Walcott) - 2:47

"Cloud Dance" - 5:47

Personnel:

Collin Walcott — sitar, tabla