Wardenclyffe Tower is the seventh studio album by guitarist Allan Holdsworth, released in 1992 through Restless Records (United States) and JMS–Cream Records (Europe), and in 1993 through Polydor Records (Japan); a remastered edition was reissued in 2007 through Eidolon Efformation, containing three bonus tracks (alternative versions of "Tokyo Dream" from 1983's Road Games and "The-Unmerry-Go-Round" from 1985's Metal Fatigue) which were previously only available on the Japanese release. The album's title is a reference to the real life Wardenclyffe Tower, or Tesla Tower, designed by inventor Nikola Tesla in 1901. "Zarabeth" is named after a character in the Star Trek episode "All Our Yesterdays". Wiki.
This 1992 release features Holdsworth in conversation with usual compatriots Jimmy Johnson, Chad Wackerman, and Gary Husband.
Keyboards are provided not only by Steve Hunt, but also by both
Wackerman and Husband. Husband in particular demonstrates that his
facility on the keyboards is equal to his skill on the drums. Despite
the all-star cast of characters, there are certain peculiarities to
Wardenclyffe Tower that prevent it from being numbered among
Holdsworth's best work. One very obvious oddity is the strange and
ill-advised ending to the opener, "5 to 10," which concludes with a
toilet flushing and an annoying voice-over. Mistakes in judgment aside,
there is something formless about this album, something that blurs the
tracks together in a meaningless way. Holdsworth
has always been more of a distinctive than a strong composer, and the
batch of tunes that he contributes here is not very compelling. The
title track, with its power-chord verse, and his collaboration with
singer Naomi Star, "Against the Clock," are his strongest moments. The
presence of Hunt's "Dodgy Boat" helps but it is not enough to elevate
this album to the level of Holdsworth's
past successes. This is not to say that there is not meaningful music
on Wardenclyffe Tower, because there is. "Against the Clock," which
features not only Star's voice but also the drums of Vinnie Colaiuta, is
one such success. Holdsworth
makes use of the SynthAxe guitar synthesizer on several tracks on
Wardenclyffe Tower, the most effective use of which is here, where his
solo emerges from empty space in a constantly accelerating fashion, like
a boulder rolling down a hill (although Holdsworth's
ascending line sets forth the impossible scenario of falling upwards).
All in all, however, there is a lack of dynamic movement in the soloists
and the compositions in general. Of value to Holdsworth completists, but not of much interest to casual fans. All Music.
This was
the first AH album I ever listened to. I was 15 years old. I'm a
guitar player. But at the time I was taking drumming lessons. My drum
tutor recommended me AH, Stevie Ray Vaughan and Eddie Van Halen. So I
decided to give AH a try and this was the only album there. I popped
the disc into my Discman and rode the London train.
Words cannot
describe how awesome this album was. The solo on 5 to 10 nearly give me
a teary eye. That's how affected I was with this album. Each and every
song was amazing especially Zarabeth. There is no filler on
Wardenclyffe Tower. Looking at the album cover and listening to the
music took me to places where no spaceship could take me.
A few
years down the line, I listened to the rest of his albums: Metal
Fatigue, Secrets, Sand, Atavachron and None Too Soon. None of those
albums seemed to equal Wardenclyffe. AH's guitar tone on Wardenclyffe
was the best. Music-wise, it just gets right down to it. A lot of the
songs on those albums are a bit meandering and I sort of questioned
whether I wanted to become a collector of AH's albums. I decided not
to. The only one I'll ever need or want is Wardenclyffe... and maybe
None Too Soon. .
It's been
years since I've listened to this CD. I am literally brought to tears
when I hear Allan's haunting solo on Sphere of Innocence. I cannot
fathom where his creativity comes from. It's like trying to figure out
where outer space ends and what lay on the other side. It is a complete
mystery. His technique is perfect, and as always, NOBODY has better
guitar tone than Allan. He is simply one of the Earths gifts. It's been
years since I've listened to this CD. I am literally brought to tears
when I hear Allan's haunting solo on Sphere of Innocence. I cannot
fathom where his creativity comes from. It's like trying to figure out
where outer space ends and what lay on the other side. It is a complete
mystery. His technique is perfect, and as always, NOBODY has better
guitar tone than Allan. He is simply one of the Earths gifts. .
You've
been raised on super groups, avant garde, fusion and psychedelia; you
are looking for the next group of guitar musicians to take you to the
next level.....so waiting to guide you are Jeff Beck, John Mclaughlin,
Terje Rypdal, John Abercrombie, Pat Metheny, ....... and (sigh) the
ultimate chopmeister, Allan Holdsworth. It has been said he is happier
in his live outings, but in this 1992 studio album, everything he had
developed to that point; the blistering solo runs, the immaculate chord
progressions, as well as command of the guitar technology available at
that time, ...... all are beautifully captured for you in a hi-fibre
wholemeal diet. Regardless of classifications, (is this intelligent
guitar-rock, jazz-fusion, progressive or cross-genre...... and who
really cares?), ..... the musicians on this CD are waiting to assist in
your musical evolution, and take you to that next ... or next ... and
possibly even next level. .
My review
focuses on one song - Zarabeth. I've been a devoted listener to all
forms of guitar music for 40 years. I have no reservations in saying
that Zarabeth is the greatest guitar improvisation I've ever heard, it's
exquisite in all ways: song composition (fantastic chord progression
for an improvisation), solo structure (just listen to AH build this art -
as if it were laid out in his from head to tail, from the first note),
melody (what AH does throughout against the structure is sublime),
technical (utterly phenomenal playing skills and tone control, brilliant
amp tone), rhythm (his phrasing and accenting control much of the
emotion and impact of the solo), and lastly, emotion. I have no doubt
that this solo leaves every "guitar god" out there thinking, "I know
nothing about the guitar". AH is truly on another planet. .
Tracks Listing
1. 5 to 10 (5:36)
2. Sphere Of Innocence (5:58)
3. Wardenclyffe Tower (8:44)
4. Dodgy Boat (5:37)
5. Zarabeth (6:31)
6. Against The Clock (4:58)
7. Questions (4:07)
8. Oneiric Moor (1:41)
Total Time: 43:12
Line-up / Musicians
- Allan Holdsworth / guitar, SynthAxe (1,3,6), producer
With:
- Joel Schnebelt / spoken vocals (1)
- Naomi Star / vocals (6)
- Steve Hunt / keyboards (1,2,4,5)
- Jimmy Johnson / bass
- Gary Husband / drums (2,4), keyboards (3)
- Chad Wackerman / drums (1,3,5,7), keyboards (7)
- Vinnie Colaiuta / drums (6)
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ReplyDeleteThanks Crimhead420
ReplyDeleteI fell in love with his playing way back with Gong / Soft machine etc
I saw him live several times in a SE London music pub for free...Once after another incredible gig I shook his hand and asked if he gave lessons ( I was joking...I'm a simple Bluesman) He said 'You couldn't afford me ! ' with a wry smile on his face...I suggest his work with Tony Williams is a beaut...2 albums of greatness...Keep up your enthusiasm if you can...Cheers
http://www24.zippyshare.com/v/rQ2WUFZT/file.html
ReplyDeleteNew link, new edition!
ReplyDeleteThanks a lot my friend.
ReplyDeletethis is one of the more criminally underrated albums that Allan ever released.
ReplyDeletethe title track is my all time favorite solo on any track and its not by allan-its by Gary Husband. it is almost a perfect keyboard solo and i'll bet most of you thought that it was synthaxe.
yea that dodgy boat and questions (chads best composition).
i really think the jazz shower comment on track one really allowed those who couldn't deal a cop out on this record. sphere of innocence is also just stupendous. i rate this higher than hart had for sure and a shade better than secrets.
1 iou
2 atavacron
3 sand
4 wardenclyff tower
5 secrets
6 sixteen men of tain
7 metal fatigue
7 hard hat area
8 road games
9 none too soon
10 flat tire
11 velvet darkness
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Deleteplease re-up
ReplyDeleteNew links!
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ReplyDeletehttps://workupload.com/file/UWJTYXJuhbU
Muito obrigado!
ReplyDeletethanks a lot!
ReplyDeletedont ever hear anyone talk about the title track........husbands solo is jaw dropping
ReplyDelete