Producer Creed Taylor
has inspired everything from praise to anger among jazz fans. His work
has been brilliant at times, detrimental at others (his worst flaw being
a tendency to overproduce). Taylor plays a mostly positive role on La Cuna, a jazz-oriented effort uniting Ray Barretto with such first-class talent as Tito Puente (timbales) and the late Joe Farrell (tenor & soprano sax, flute). As slick as things get at times on La Cuna (originally released on vinyl by Taylor's CTI label and reissued on CD in 1995), Taylor wisely gives the players room to blow on everything from the haunting "Doloroso" and the driving "Cocinando" (a piece by Carlos Franzetti that shouldn't be confused with Barretto's major salsa/cha-cha hit) to a somewhat Gato Barbieri-ish take on Mussorgsky's "The Old Castle." Barretto successfully moves into soul territory on Stevie Wonder's "Pastime Paradise" (which rapper Coolio recast as his hit "Gangsta's Paradise" in 1994). Barretto may hate the term "Latin jazz," but make no mistake: La Cuna is one of his most memorable contributions to that genre. All Music
For those looking for Salsa this record will dissapoint. In fact Ray
Barretto offers us a supreme effort by some of the finest musicians of
the time and the result is in my opinion some of the best latin jazz
funk ever recorded. In many ways this is more exciting and adventurous
music than the salsa hits that Barretto can produce on a whim. Any
wonder that "Pastime Paradise" and "The Old Castle" consistently make
the most saught-after latin jazz and rare funk compilations and dj
playlists? In fact these tunes boast white hot guitar by a brilliant
John Tropea, Charlie Palmieri's tasty piano on "La Cuna" & "Pastime
Paradise" Tito Puente swingin' on "Cocinando" and Joe Farell on sax
reminiscent of Gato Barbieri, as exciting as it is melodic and
passionate, just check out "The Old Castle". I'll ride this elevator any
time!!! By
Michael Saltiel
I bought the vinyl album version when it first came out back in '81 (I
think). I was overseas on a military base and with some friends, played
latin music on our time off. When we got our hands on this at the BX, we
went nuts as Barretto is one of the greatest congueros ever. The music
on here is just incredible - it ranges from a soft, melancholy ballad,
to an uptempo furious set that will leave you drenched in sweat. It also
contains an excellent cover of Stevie Wonder's "Pastime Paradise" with
Willy Torres doing a nice job on vocals. "Cocinando" on the CD was not
on the vinyl album - it's a bonus track - and what a bonus! A very
uptempo and furious jam session - if you like to play congas or
percussion in general, you will love this track - it will leave your
hands raw. As another reviewer noted, this is not the same track as
Ray's salsa song by the same name. For those of you looking for Salsa,
this CD IS NOT IT! It's Latin Jazz - and excellent Latin Jazz at that
with some of the best Jazz musicians around. With a lineup of Joe
Farrell, Tito Puente, Charlie Palmieri, Jeremy Wall, John Tropea, Steve
Gadd, and others, this is a classic, period. Enjoy. By
NYCSteeler
An all star crew: Barretto (master conga player and true pioneer);
Puente (the king of latin music, best timbalero ever and great musical
conductor), Tropea (I always enjoyed his solos in Deodato's albums);
Steve Gadd (a kick ass drummer, the white version of Lenny White); Joe
Farrell (a fantastic flute and sax player; a classic studio musician who
I enjoyed when playing with Corea); and, Charlie Palmieri (a tremendous
piano player with identical genes of his brother Eddie). "La Cuna" -
spanish for The Cradle. It figures... Great album. Que VIVA Barretto!.
By
Alberto Rodriguez.
Track listing:
1 La Cuna 5:08
2 Doloroso 5:55
3 Mambotango 5:57
4 The Old Castle 8:40
5 Pastime Paradise 8:31
Personnel:
Ray Barretto (congas, percussion);
Willy Torres (vocals);
Joe Farrell (tenor & soprano saxophones, flute);
Carlos Franzetti (piano);
Charlie Palmieri (piano, percussion);
Jeremy Wall, Suzanne Ciani (synthesizers);
John Tropea (guitar);
Francisco Centeno (bass);
Steve Gadd, Mark Craney (drums);
Tito Puente (timbales).
Thanks for this record and your fine introduction
ReplyDeletethank you so much
ReplyDeletethank you so much
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