When the people at Modern Drummer magazine conceived the idea of an
album highlighting some of the most innovative drummers on the scene
today, they probably didn't realize they would also be making a
statement applicable to all instruments: that there are some people who
are players of their instruments, and then there are musicians —artists
who transcend the boundaries of their instrument, rise above the
egotistical concerns of demonstrating just how good they are and
ambitiously aim, instead, to create compelling musical statements.
Modern Drummer Presents Drum Nation Volume One has its share of both,
but, happily, the tendency leans towards artists whose interests lie
beyond merely the potential of their chosen instrument.
Take Bill
Bruford's reading of "Beelzebub," an interesting choice because it
finds Bruford's recent all-acoustic Earthworks ensemble tackling the
first track from his first solo album, Feels Good to Me ('78), a more
electric fusion affair that included guitarist Allan Holdsworth. With
his current group of pianist Steve Hamilton, woodwind
multi-instrumentalist Tim Garland and acoustic bassist Mark Hodgson,
Bruford proves that good material transcends context and
instrumentation. While Bruford's mathematically-precise drumming still
drives this complicated little piece, he has loosened up over the years.
And Garland's bass clarinet and soprano saxophone bring a different
complexion to the tune, making it every bit as relevant as the original.
Chad Wackerman uses his space to continue documenting his most recent
band of Australians, including vibraphonist Daryl Pratt, bassist Leon
Gaer and, in particular, young guitarist James Muller, who continues to
be one of the most inventive players you've never heard. "The Spell" is a
clever and more cerebral kind of fusion that should make listeners want
to dash out to check out Scream ('00) and the more recent Legs Eleven
('03), both featuring this fine group.
Stanton Moore, of Galactic
fame, continues to mine the wealth of New Orleans rhythms, this time
augmenting his organ-guitar-bass-baritone quintet with a six-piece horn
section to give "Sprung Monkey" an authentic New Orleans street vibe.
Steve Smith, teamed with tabla master Zakir Hussain, delivers the
eleven-minute opus "Mad Tea Time," which successfully traverses the
boundary between East and West, climaxing with a thrilling series of
trade-offs between drums and tablas. And British legend Simon Phillips
delivers a pedal-to-the-metal piece of high octane fusion with
"Manganese," featuring not only his fine drumming, but also guitarist
Andy Timmons, a player we ought to be hearing more from.
While
the rest of the tracks successfully demonstrate the innovative minds of
its creators—most notably Terry Bozzio's "A Glimpse into a Deeply
Disturbed Mind," which turns techno on its ear by having live drums
trigger and work off sampled sounds instead of sampled sounds working
off programmed drum rhythms—the album really does separate the men from
the boys when it comes to true artists versus players. Still, Modern
Drummer Presents Drum Nation Volume One is a captivating look into the
instrument's potential, highlighting several artists who are certainly
worthy of more than a second look.
Track Listing:
A Glimpse into a
Deeply Disturbed Mind; Beelzebub; Mad Tea Time Part 1; Mad Tea Time
Part 2; The Spell; Sprung Monkey; Manganese; Lagerborg; Faceless
Pastiche; Shut Up and Play Yer Drums; Wandering Portland Maine; Pull Up
My Sleeve
Personnel:
On "A Glimpse into a Deeply Disturbed Mind":
Terry Bozzio (drums, keyboards, voice, reason, and Ableton "live"
sequencing software)
On "Beelzebub": Bill Bruford's Earthworks: Bill
Bruford (drums), Tim Garland (bass clarinet, soprano saxophone), Steve
Hamilton (piano), Mark Hodgson (acoustic bass)
On "Mad Tea Time
Parts 1 and 2": Steve Smith (drums), Zakir Hussain (tablas), George
Brooks (tenor sax and tamboura), Fareed Haque (sitar guitar), Kai
Eckhardt (bass)
On "The Spell": Chad Wackerman (drums), Daryl Pratt (vibes), James Muller (guitar), Leon Gaer (bass)
on "Sprung Monkey": Stanton Moore (drums), Robert Mercurio (bass), Jeff
Raines (guitar), Rich Vogel (Hammond B-3), Ben Ellman (baritone sax),
with the L'il Rascals Brass Band Horns: Dewen Scott (trumpet), Jeffery
Hills (tuba), Glen David Andrews (trombone), Corey Henry (trombone),
Mervin Campbell (trumpet), Vincent Broussard (saxophone)
On "Manganese": Simon Phillips (drums), Jeff Babko (keyboards), Jimmy Johnson (bass), Andy Timmons (guitar)
On "Lagerborg": Josh Freese (drums)
On "Faceless Pastiche": Rod Morgenstern (drums, percussion), Jordan Rudess (keyboards)
On "Shut Up and Play Yer Drums": Tim Alexander (drums, percussion), Brain (drums, percussion)
On "Wandering Portland Maine": Marco Minnemann (drums, percussion)
On "Pull Up My Sleeve": Stephen Perkins (drums), Brooks Wackerman (drums)
