Survival of the Fittest Live is the fifth album by The Amboy Dukes. Released in 1971, it was the band's second album on Polydor Records, and the first where the band was credited as "Ted Nugent and the Amboy Dukes". It was the second Polydor album to chart, and it peaked at #129. There were no accompanying singles released by the record company. The performance was recorded live at the Eastown Theater in Detroit, Michigan, on July 31 and August 1, 1970. Keyboardist Andy Solomon, again, contributed most of the vocals. Except "Prodigal Son" (from Migration album) none of songs were previously released.
After three albums on Mainstream Records and a Top 20 smash with "Journey to the Center of the Mind," Ted Nugent brought his new aggregation to Polydor(the late Lillian Roxon claimed there were 35 personnel changes prior to their first and only hit). This second album on that label (and before they would jump to Warner and eventually Epic), was recorded live at The Eastowne Theater in Detroit, MI, July 31 and August 1, 1970.
A prime candidate for re-release with bonus tracks, the full hit is not here; the single disc contains six tracks, including the 21-minute-and-20-second epic "Prodigal Son," written by Nugent and sung by keyboardist Andy Solomon. Solomon handles the majority of the vocals on this album, with drummer K.J. Knight vocalizing on the bluesy "Mr.Jones Hanging Party" and songwriter/guitarist/focal point Nugent doing the chores on "Papa's Will." Solomon provides nice sax on "Mr. Jones' Hanging Party," showing the considerable talent he brought to the table.
What's this live disc like? The riff to "Journey to the Center of the Mind" opens the album inside the instrumental collaboration written by the group, "Survival of the Fittest," and it is a big tease. Unlike the bad mutations of the Electric Prunes, H.P. Lovecraft, and the most blatant example, the Velvet Underground's pseudo-record, Squeeze, this is the leader of an original group as he goes through musical changes. "Rattle My Snake" is certainly more in the Pat Travers vein than the psychedelic intrigue of the original (on record anyway) Amboy Dukes, and though this recording is live and has that live excitement, it feels more like a new album, with none of the tracks appearing on previous discs. "Papa's Will" is Ted Nugent stretching out a riff that -- if it were brought up in the mix -- could inspire Black Sabbath.
The collage of the four members on back is as bizarre as another Michigan product, Survival by Grand Funk Railroad. This album has that primal feel, though it is Ted Nugent with bows and arrows, in Native American garb, who is the solitary figure on the front cover. "Slidin' On" is a weak opening to side two, and the lengthy "Prodigal Son" contains obligatory drum solo and bass musings, but fails to kick in à la "In a Gadda da Vida" or Rare Earth's "Get Ready," which spread across entire sides of their respective discs. OK, so it is Ted Nugent doing Ten Years After without the flash of Alvin Lee, but "Prodigal Son" is one long jam with no climax, when you know 20 minutes of riffing on "Journey to the Center of the Mind" is really what the record-buying public wanted.
Years later someone needs to tell these Amboy Dukes why Procul Harum had to put "A Whiter Shade of Pale" back in the set. Steve Farmer is long gone from here, and only Andy Solomon and Ted Nugent remain from the band who had the hit two years before this concert was recorded. This is really Ted Nugent moving away from the group concept and gearing up for his heavy metal fame in the '70s and '80s. It is mildly interesting.
Track listing:
All songs written by Ted Nugent unless noted.
"Survival of the Fittest" (Ted Nugent, Rob Ruzga, Andy Solomon, K. J. Knight) – 6:17
"Rattle My Snake" – 3:00
"Mr. Jones' Hanging Party" – 4:55
"Papa's Will" – 9:00
"Slidin' On" – 3:03
"Prodigal Son" – 21:20
Personnel:
Ted Nugent – Guitar, vocals (lead on track 4)
Andy Solomon – Keyboards, saxophone, vocals (lead on tracks 2, 5 and 6)
K. J. Knight – Drums, vocals (lead on track 3)
Rob Ruzga – Bass
Showing posts sorted by date for query ted nugent. Sort by relevance Show all posts
Showing posts sorted by date for query ted nugent. Sort by relevance Show all posts
Thursday, November 17, 2022
Thursday, July 4, 2019
Amboy Dukes - 1968 [1992] "Journey To The Center Of The Mind"
AMG EXPERT REVIEW: Long before Ted Nugent made his name as a mighty crossbow hunter, there was this heavy Detroit band in which he was content to play lead guitar, something he does very well and with much less threat to the Midwest's deer population. The Nuge shouldn't try to take all the credit for this band, because the other members such as vocalist John Drake and rhythm guitarist Steve Farmer contributed with great aplomb, the latter writing much of the material on the second side's ambitious suite as well as co-writing the title hit with Nugent. This is some hard-hitting, well-done psychedelic music, recorded with taste by a producer known much more for his work with mainstream jazz artists, Bob Shad. One thing that made the Amboy Dukes special was the amount of power and drive in their playing, something lacking in other psychedelic outfits that take a more airy-fairy approach. The Nuge's guitar sound is recorded as if this was a mainstream jazz album by Harold Land, and it helps. -- Eugene Chadbourne
AMAZON.COM CUSTOMER REVIEW
As great as I remember!, May 7, 2004
Reviewer: pfsguy (Snellville, Ga United States)
I had not heard this collection of music in over 25 years and wondered if it just wasn't my youthful listening habits that made me think it was good music back then. But, no, these guys were just good, ahead of their time. The vocals and guitar are great, and the "journey" of blended songs on the second part of the CD is very well done. The lyrics are strange and sometimes meaningless, but that is what the 60's psychedelic music was all about, and the quality of the recording technique of instrument separation in the channels really makes it work. Shop around for a good price (under $20) and get this CD.
AMAZON.COM CUSTOMER REVIEW
Journey To The Center Of The Mind : The Amboy Dukes, March 25, 2003
Reviewer: JCB,HIFIGUY (Upstate N.Y. USA)
This Lp. shows the kind of regional-local talents around the USA that were pioneering hard rock music before the post Woodstock ultra-commercialization of the genre.While some of the songs may be a little sixties silly, the music, that is the playing, singing and arragements are quite good.It is great early hard rock without the "canned" sound formulated into so many bands since.(hey it's what most people want though)If you like heavy guitar/organ rock,this is an absolute must, and John Drakes powerful vocals are truly a huge part of the bands great sound.He left after the first 2 lps., and the band was never again as good, in my opinion.Ted Nugents guitar is perfect for the format they used as well.
AMAZON.COM CUSTOMER REVIEW
centering your mind, November 26, 2005
Reviewer: D. Schmittdiel (Clinton Twp., MI)
On July 11 of 1968 I was turning 14 years old, and the single 'Journey to the Center of the Mind' was number one on my favorite AM radio station, WKNR ('Keener13') in my hometown of Detroit, Michigan. Of course 'The Motor City Madman', Ted Nugent, and his Dukes had a decided edge in their own backyard, but the single did rise to number 16 on the national charts also. I clearly remember that summer being deeply impressed by the quality guitar work on several hit songs. At the same time 'Journey...' was claiming the top slot in Detroit, the Stones' 'Jumpin' Jack Flash' was resting at number 11, and Cream's 'Sunshine of Your Love' had retreated to number 27. But it was Nugent's guitar heroics that dazzled the most. Fortunate for myself, my older brother was working at McDonalds, and had brought home a vinyl copy of this, the Amboy Dukes (annotated as 'The American Amboy Dukes' via a carrot insert on the cover) second album, for my perusal.
Ted Nugent named his band after an R & B outfit that had recently disbanded, saying "I thought it was a cool name". He was unaware that 'The Amboy Dukes' was also the title of a book about a 1950's street gang from Perth Amboy, New Jersey. Ted has also claimed to be unaware that the lyrics to 'Journey...' had stong allusions to psychedelic drug use, as does the collection of vintage pipes on the album's cover. I tend to believe Ted when he claims to have never inhaled. I also regard Nugent as being especially astute, and as a young man probably realized that using acid-tinged imagery would further the chances of success for a psychedelic rock band. For most of his associates however, being in a psychedelic rock band must have implied psychedelic drug use, and this resulted in significant conflicts between the anti-drug Nugent and the remaining Dukes.
If you're still reading, you're probably wondering about the album itself. There aren't a whole lot of highlights, save the title track, which features one of the finest electric guitar performances of the psychedelic era, matched by some of the finest psychedelic lyrics ever penned, matched by one of the heaviest bridge segments ever committed to vinyl, tape, or digital stock. Only three other songs really deserve mention, track number 5 (which closed out side one of the original vinyl release), 'Dr. Slingshot', which features overlapping vocal lines from lead singer John Drake and rhythm guitarist Steve Farmer (who, together with Nugent, penned all the songs on the disc), and a great lead guitar riff from Nugent. Unfortunately, Nugent's talent on the six-string are only occasionally put on display, such as on track 12, 'I'll Prove I'm Right', where his fine picking underlies another strong vocal performance from Drake. The band relies much more on the psychedelic imagery of its lyrics rather than Nugent's axe, a highly questionable choice given the quality of the lyrics (on 'Why Is a Carrot More Orange Than an Orange', for instance, we are offered other deep questions such as, "Why are you greener than green?"; go figure). If it's of interest, the tracks on the second side of the disc segue into one another, and while the liner notes claim they collectively tell "a story", the plot is hard to discern. The final track, 'Conclusion', does reintroduce the 'Journey...' melody, and for a few moments brings back Nugent's sterling guitar lines, but it's a case of too little too late. There is a bonus track offered on the Repertoire versions of the disc, the 7" follow up to 'Journey...', a shameless ripoff of its predecessor titled 'You Talk Sunshine, I Breathe Fire'. Despite its obvious origins, it stands as perhaps the fourth best track offered here.
AMAZON.COM CUSTOMER REVIEW
Worse Than I Remembered - Which Is Not Much, September 7, 2001
Reviewer: A music fan
I grew up when the 'Dukes were around. I always loved 'Journey' but I never bought any of the Duke album - yes they were actually albums in those days. Now I know why. Ouch! Ted could smoke on the guitar but the group as a whole pretty much comprehensively [stunk]. Compares to Hendrix? Hey give me some of that stuff. Anyway this CD is an interesting historical document in that it shows that my musical tastes were not as warped as the rest of my mind back in those days. Now that I've ripped 'Journey' who wants a great deal on a very slightly used CD?
Now how many of you - please raise your hands - really believe that Ted did not know that 'Journey' was a drug song? Sure Ted - there really is an Easter bunny, at least if you haven't blown off its head yet.
https://jazz-rock-fusion-guitar.blogspot.com/search?q=ted+nugent
Track listing:
01 "Mississippi Murderer" (Nugent, Farmer) – 5:12
02 "Surrender to Your Kings" (Nugent) – 2:52
03 "Flight of the Byrd" (Nugent) – 2:50
04 "Scottish Tea" (Nugent) – 4:01
05 "Dr. Slingshot" (Nugent, Farmer) – 3:09
06 "Journey to the Center of the Mind" (Nugent, Farmer) – 3:33
07 "Ivory Castles" (Farmer) – 3:21
08 "Why Is a Carrot More Orange Than an Orange" (Farmer) – 2:26
09 "Missionary Mary" (Farmer) – 2:35
10 "Death Is Life" (Farmer) – 2:08
11 "Saint Philips Friend" (Farmer) – 3:33
12 "I'll Prove I'm Right" (Farmer) – 1:38
13 "Conclusion" (Nugent, Farmer) – 1:57
CD bonus track
14 "You Talk Sunshine, I Breathe Fire" (Nugent, Farmer) – 2:44
Personnel:
John (J.B.) Drake – vocals
Ted Nugent – lead guitar
Steve Farmer – rhythm guitar, vocals
Greg Arama – bass
Dave Palmer – drums
Andy Solomon – organ, piano, vocals
AMAZON.COM CUSTOMER REVIEW
As great as I remember!, May 7, 2004
Reviewer: pfsguy (Snellville, Ga United States)
I had not heard this collection of music in over 25 years and wondered if it just wasn't my youthful listening habits that made me think it was good music back then. But, no, these guys were just good, ahead of their time. The vocals and guitar are great, and the "journey" of blended songs on the second part of the CD is very well done. The lyrics are strange and sometimes meaningless, but that is what the 60's psychedelic music was all about, and the quality of the recording technique of instrument separation in the channels really makes it work. Shop around for a good price (under $20) and get this CD.
AMAZON.COM CUSTOMER REVIEW
Journey To The Center Of The Mind : The Amboy Dukes, March 25, 2003
Reviewer: JCB,HIFIGUY (Upstate N.Y. USA)
This Lp. shows the kind of regional-local talents around the USA that were pioneering hard rock music before the post Woodstock ultra-commercialization of the genre.While some of the songs may be a little sixties silly, the music, that is the playing, singing and arragements are quite good.It is great early hard rock without the "canned" sound formulated into so many bands since.(hey it's what most people want though)If you like heavy guitar/organ rock,this is an absolute must, and John Drakes powerful vocals are truly a huge part of the bands great sound.He left after the first 2 lps., and the band was never again as good, in my opinion.Ted Nugents guitar is perfect for the format they used as well.
AMAZON.COM CUSTOMER REVIEW
centering your mind, November 26, 2005
Reviewer: D. Schmittdiel (Clinton Twp., MI)
On July 11 of 1968 I was turning 14 years old, and the single 'Journey to the Center of the Mind' was number one on my favorite AM radio station, WKNR ('Keener13') in my hometown of Detroit, Michigan. Of course 'The Motor City Madman', Ted Nugent, and his Dukes had a decided edge in their own backyard, but the single did rise to number 16 on the national charts also. I clearly remember that summer being deeply impressed by the quality guitar work on several hit songs. At the same time 'Journey...' was claiming the top slot in Detroit, the Stones' 'Jumpin' Jack Flash' was resting at number 11, and Cream's 'Sunshine of Your Love' had retreated to number 27. But it was Nugent's guitar heroics that dazzled the most. Fortunate for myself, my older brother was working at McDonalds, and had brought home a vinyl copy of this, the Amboy Dukes (annotated as 'The American Amboy Dukes' via a carrot insert on the cover) second album, for my perusal.
Ted Nugent named his band after an R & B outfit that had recently disbanded, saying "I thought it was a cool name". He was unaware that 'The Amboy Dukes' was also the title of a book about a 1950's street gang from Perth Amboy, New Jersey. Ted has also claimed to be unaware that the lyrics to 'Journey...' had stong allusions to psychedelic drug use, as does the collection of vintage pipes on the album's cover. I tend to believe Ted when he claims to have never inhaled. I also regard Nugent as being especially astute, and as a young man probably realized that using acid-tinged imagery would further the chances of success for a psychedelic rock band. For most of his associates however, being in a psychedelic rock band must have implied psychedelic drug use, and this resulted in significant conflicts between the anti-drug Nugent and the remaining Dukes.
If you're still reading, you're probably wondering about the album itself. There aren't a whole lot of highlights, save the title track, which features one of the finest electric guitar performances of the psychedelic era, matched by some of the finest psychedelic lyrics ever penned, matched by one of the heaviest bridge segments ever committed to vinyl, tape, or digital stock. Only three other songs really deserve mention, track number 5 (which closed out side one of the original vinyl release), 'Dr. Slingshot', which features overlapping vocal lines from lead singer John Drake and rhythm guitarist Steve Farmer (who, together with Nugent, penned all the songs on the disc), and a great lead guitar riff from Nugent. Unfortunately, Nugent's talent on the six-string are only occasionally put on display, such as on track 12, 'I'll Prove I'm Right', where his fine picking underlies another strong vocal performance from Drake. The band relies much more on the psychedelic imagery of its lyrics rather than Nugent's axe, a highly questionable choice given the quality of the lyrics (on 'Why Is a Carrot More Orange Than an Orange', for instance, we are offered other deep questions such as, "Why are you greener than green?"; go figure). If it's of interest, the tracks on the second side of the disc segue into one another, and while the liner notes claim they collectively tell "a story", the plot is hard to discern. The final track, 'Conclusion', does reintroduce the 'Journey...' melody, and for a few moments brings back Nugent's sterling guitar lines, but it's a case of too little too late. There is a bonus track offered on the Repertoire versions of the disc, the 7" follow up to 'Journey...', a shameless ripoff of its predecessor titled 'You Talk Sunshine, I Breathe Fire'. Despite its obvious origins, it stands as perhaps the fourth best track offered here.
AMAZON.COM CUSTOMER REVIEW
Worse Than I Remembered - Which Is Not Much, September 7, 2001
Reviewer: A music fan
I grew up when the 'Dukes were around. I always loved 'Journey' but I never bought any of the Duke album - yes they were actually albums in those days. Now I know why. Ouch! Ted could smoke on the guitar but the group as a whole pretty much comprehensively [stunk]. Compares to Hendrix? Hey give me some of that stuff. Anyway this CD is an interesting historical document in that it shows that my musical tastes were not as warped as the rest of my mind back in those days. Now that I've ripped 'Journey' who wants a great deal on a very slightly used CD?
Now how many of you - please raise your hands - really believe that Ted did not know that 'Journey' was a drug song? Sure Ted - there really is an Easter bunny, at least if you haven't blown off its head yet.
https://jazz-rock-fusion-guitar.blogspot.com/search?q=ted+nugent
Track listing:
01 "Mississippi Murderer" (Nugent, Farmer) – 5:12
02 "Surrender to Your Kings" (Nugent) – 2:52
03 "Flight of the Byrd" (Nugent) – 2:50
04 "Scottish Tea" (Nugent) – 4:01
05 "Dr. Slingshot" (Nugent, Farmer) – 3:09
06 "Journey to the Center of the Mind" (Nugent, Farmer) – 3:33
07 "Ivory Castles" (Farmer) – 3:21
08 "Why Is a Carrot More Orange Than an Orange" (Farmer) – 2:26
09 "Missionary Mary" (Farmer) – 2:35
10 "Death Is Life" (Farmer) – 2:08
11 "Saint Philips Friend" (Farmer) – 3:33
12 "I'll Prove I'm Right" (Farmer) – 1:38
13 "Conclusion" (Nugent, Farmer) – 1:57
CD bonus track
14 "You Talk Sunshine, I Breathe Fire" (Nugent, Farmer) – 2:44
Personnel:
John (J.B.) Drake – vocals
Ted Nugent – lead guitar
Steve Farmer – rhythm guitar, vocals
Greg Arama – bass
Dave Palmer – drums
Andy Solomon – organ, piano, vocals
Friday, September 11, 2015
Amboy Dukes - 1969 [1991] "Migration"
Migration is the third studio album by The Amboy Dukes. It was released in 1969 on Mainstream Records (stereo S/6118). On this album, Rusty Day replaced John Drake on vocals. The song "I'm Not A Juvenile Delinquent" is a cover of the 1956 song by Frankie Lymon and The Teenagers.
A CD reissue was released in 1991 by Repertoire Records with two bonus tracks (REP 4178-WZ). It credits the band as "The American Amboy Dukes", the name under which the group's records were released in Britain.
The most prominent feature of Migration (the Amboy Dukes' third recording, originally released on Mainstream records) is the lack of a spaced-out follow-up to the group's biggest hit, "Journey to the Center of Your Mind." Perhaps "terrible" Ted Nugent was starting to win the drug war that was beginning to wage within the band, a war that would ultimately claim more than a few key lineup casualties. No matter the reason, Migration -- with it's less opaque drug references and general grooviness -- was given a cool reception at record stores as listeners perhaps became slightly confused about the Michigan band's intentions while pondering Nugent's relatively eclectic musical approach. Case in point: the spot-on version of Frankie Lymon and the Teenagers' "I'm Not a Juvenile Delinquent." Besides this bizarre but affective cover, other highlights include the instrumental opener "Migration" and one of Nugent's all-time favorite songs, "Good Natured Emma." More ambitious than the group's huge-selling effort from the year before, "Migration" might be the better of the two discs, if not the best of the Amboy Dukes' career.
The aptly named Migration showed a departure for The Amboy Dukes from their original style and band line-up, with Rusty Day replacing John Drake on vocals. Opening with the instrumental track “Migration”, which showcases Nugent’s guitar talents at the forefront, this 11-track album also features Ted’s personal all-time favorite song “Good Natured Emma”. Despite its release date, this album has aged well and is guaranteed to demonstrate Nugent’s raw and unbridled energy.
https://jazz-rock-fusion-guitar.blogspot.com/search?q=ted+nugent
Track listing
"Migration" (Nugent) – 6:06
"Prodigal Man" (Nugent) – 5:48
"For His Namesake" (Farmer) – 4:26
"I'm Not a Juvenile Delinquent" (Levy) – 1:53
"Good Natured Emma" (Nugent) – 4:37
"Inside the Outside" (Farmer) – 3:22
"Shades of Green and Grey" (Farmer) – 3:05
"Curb Your Elephant" (Solomon) – 3:49
"Loaded for Bear" (Nugent) – 3:05
CD bonus tracks
"J.B. Special" (Nugent, Farmer) – 2:32
"Sobbin' in My Mug of Beer" (Nugent, Farmer) – 2:21
Personnel
Rusty Day – lead vocals, percussion
Ted Nugent – lead vocals, lead guitar, percussion
Steve Farmer – rhythm guitar, vocals, strings
Andy Solomon – keyboards, vocals, horns, percussion, strings
Greg Arama – bass, bass vocals, percussion
Dave Palmer – drums, percussion
A CD reissue was released in 1991 by Repertoire Records with two bonus tracks (REP 4178-WZ). It credits the band as "The American Amboy Dukes", the name under which the group's records were released in Britain.
The most prominent feature of Migration (the Amboy Dukes' third recording, originally released on Mainstream records) is the lack of a spaced-out follow-up to the group's biggest hit, "Journey to the Center of Your Mind." Perhaps "terrible" Ted Nugent was starting to win the drug war that was beginning to wage within the band, a war that would ultimately claim more than a few key lineup casualties. No matter the reason, Migration -- with it's less opaque drug references and general grooviness -- was given a cool reception at record stores as listeners perhaps became slightly confused about the Michigan band's intentions while pondering Nugent's relatively eclectic musical approach. Case in point: the spot-on version of Frankie Lymon and the Teenagers' "I'm Not a Juvenile Delinquent." Besides this bizarre but affective cover, other highlights include the instrumental opener "Migration" and one of Nugent's all-time favorite songs, "Good Natured Emma." More ambitious than the group's huge-selling effort from the year before, "Migration" might be the better of the two discs, if not the best of the Amboy Dukes' career.
The aptly named Migration showed a departure for The Amboy Dukes from their original style and band line-up, with Rusty Day replacing John Drake on vocals. Opening with the instrumental track “Migration”, which showcases Nugent’s guitar talents at the forefront, this 11-track album also features Ted’s personal all-time favorite song “Good Natured Emma”. Despite its release date, this album has aged well and is guaranteed to demonstrate Nugent’s raw and unbridled energy.
https://jazz-rock-fusion-guitar.blogspot.com/search?q=ted+nugent
Track listing
"Migration" (Nugent) – 6:06
"Prodigal Man" (Nugent) – 5:48
"For His Namesake" (Farmer) – 4:26
"I'm Not a Juvenile Delinquent" (Levy) – 1:53
"Good Natured Emma" (Nugent) – 4:37
"Inside the Outside" (Farmer) – 3:22
"Shades of Green and Grey" (Farmer) – 3:05
"Curb Your Elephant" (Solomon) – 3:49
"Loaded for Bear" (Nugent) – 3:05
CD bonus tracks
"J.B. Special" (Nugent, Farmer) – 2:32
"Sobbin' in My Mug of Beer" (Nugent, Farmer) – 2:21
Personnel
Rusty Day – lead vocals, percussion
Ted Nugent – lead vocals, lead guitar, percussion
Steve Farmer – rhythm guitar, vocals, strings
Andy Solomon – keyboards, vocals, horns, percussion, strings
Greg Arama – bass, bass vocals, percussion
Dave Palmer – drums, percussion
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