The Complete Original Mahavishnu Orchestra Columbia Albums Collection (5 CDs):
1 The Inner Mounting flame (1971)
2. Birds Of Fire (1973)
3. The Lost Trident Sessions (1973)
4. Between Nothingness and Eternity (1974)
5.Bonus Disc: Between Nothingness And Eternity [Disc 2]
The Complete Columbia Albums Collection features the output of the original
Mahavishnu Orchestra (
John McLaughlin,
Billy Cobham,
Jan Hammer,
Rick Laird, and
Jerry Goodman).
When it was released in 2012, this compact box set sold for roughly the
same price as two full-price CDs. It contains the studio albums
The Inner Mounting Flame (1971) and
Birds of Fire (1973). The live release
Between Nothingness & Eternity (1973) is joined by
Unreleased Tracks from Between Nothingness & Eternity,
which features three cuts from the same August 1973 Central Park
performance documented on the original, along with another three cuts
recorded the previous night at the same location. The fifth and final
disc is the 1999-released
The Lost Trident Sessions. As with similar Legacy sets for
Stanley Clarke,
Weather Report, and
George Duke,
the discs are in durable LP replica sleeves that feature all-original
artwork reproductions. Full credits are listed in the 15-page booklet,
which also includes brief notes from
McLaughlin and
Richard Seidel.
The Mahavishnu Orchestra, in its original incarnation, lasted just four
years, but in that brief time, the pioneering quintet set both the
template and the high-water mark for fusion music. No band ever rocked
as hard in a jazzy place as guitarist John McLaughlin's charging
ensemble.
McLaughlin had already built a firm reputation in his
native England as a keen improviser with blues and rock leanings when he
was invited by drummer Tony Williams in early 1969 to join him in New
York. Almost immediately, McLaughlin was swept up into the very
epicenter of the burgeoning fusion movement, appearing on in 1969 alone
three of the genre's most significant recordings: Emergency! (by the
newly-formed Tony Williams Lifetime) and In a Silent Way and Bitches
Brew, the epochal Miles Davis albums that kick started fusion.
When
it was time for McLaughlin -- who, in his initial New York stay, had
quickly developed from a gifted player to a brilliant one -- to form his
own band, he brought together musicians who could apply full-force rock
energy to improvisatory jazz skill. Keyboardist Jan Hammer, violinist
Jerry Goodman, and drummer Billy Cobham were each extravagant virtuosos
eager to match McLaughlin at his own game; bassist Rick Laird contained
the passion with his steady bass lines. Dubbed the Mahavishnu Orchestra,
the new band released its debut recording, The Inner Mounting Flame in
August of 1971: fusion as we know it was now fully born.
Younger
listeners raised on rock responded to the band's vitality and
extraordinary musicianship; before long The Mahavishnu Orchestra was
appearing with the likes of The Byrds and Aerosmith. Subsequent hit
albums built on The Inner Mounting Flame s innovations; Hammer added
synthesizers to his arsenal, developing a keyboard style nearly as
influential as that of McLaughlin's frenetic guitar work and Cobham's
rumbling percussive attack. But it was nearly inevitable that the life
span of such a dynamic ensemble would be brief. The Mahavishnu Orchestra
threw down the gauntlet; fusioneers who followed have been trying to
catch up ever since.
The original Mahavishnu Orchestra only lasted a short time, but they
created a tremendous body of work. Not quite rock but too loud for
jazz, they blazed the trail for fusion and left everyone far behind.
This collection has both studio albums - with not a bad cut between them
-and the live 'Between Nothingness and Eternity', which, unusually for
the time, had all new music on it and was more expansive, with the
shortest cut being nearly ten minutes long.
Tensions among such
high powered individuals were perhaps inevitable, especially concerning
songwriting royalties, and the group broke up after only two short
years. It was a real pleasure when decades later 'The Lost Trident
Sessions' was released, a complete album recorded and abandoned during
the last days of the group. Much of the material overlaps the live
album, with less intensity but greater precision and accuracy. It often
sounds slightly incomplete and doesn't quite reach the heights of the
first two albums, but it is still superior material to everything else
to come from other contemporary bands.
But the real treat of this
box set, besides the remastering, besides the great price, and besides
the informative booklet, is the bonus album of live material. This
stuff is as smoking hot as you would expect and clocks in at a generous
running time. A lot of the classics are covered, often at blistering
speed. This alone is worth the price of the box set. But wait, there's
more! The first album also has a 15 minute bonus live cut from the
Mar-Y-Sol festival.
The Mahavishnu Orchestra may not be
everybody's cup of tea, and jazz traditionalists dismiss them as too
loud and fast. But for the fan of early 1970s music, of jazz fusion or
progressive rock (the band is closer to King Crimson than anyone else,
in truth), they were the Kings of the Mountain.
Until recently, this set had only been sold on Sony's "Pop Market"
website, which is absurdly secretive, not revealing song line-ups for
product, so it is impossible for fans to know (before buying) if their
box sets contain any previously unreleased material. I've now purchased
this set from Amazon.com, and so I can now reveal the specifics. The
contents are:
1."The Inner Mounting Flame"(original 1971 Don
Puluse mix), plus a bonus track: a 15 minute "Noonward Race" live at the
"Mar Y Sol" festival, which was originally released on a 2-L.P. ATCO
Records "Mar Y Sol" various artists set)
2.Birds of Fire
3.The Lost Trident Sessions
4.Between Nothingness & Eternity
5."Unreleased
tracks from Between Nothingness & Eternity".Tracklisting: "Hope",
"Awakening", "You Know, You Know","One Word", "Stepping Tones", "Vital
Transformation", "The Dance of Maya". These tracks were all recorded
August 17 & 18,1973 at Wollman Rink in New York.
The booklet
with the box set gives the basic information for each album , but does
not reproduce the liner notes for "The Lost Trident Sessions". Also, I
would note that I would have preferred the late 1980's Mark Wilder remix
of "The Inner Mounting Flame" because of its superior sound quality,
but I've got it elsewhere in my collection.
The Disc Five of
unreleased material is worth the price of the box set's purchase. Some
may complain about the omission of later Mahavishnu Orchestra albums,
but the set is titled "The Original Mahavishnu Orchestra-The Complete
Columbia Albums Collection", and so it is complete; all the released
albums by the original John McLaughlin/Jan Hammer/Rick Laird/Billy
Cobham/Jerry Goodman line-up.
Disc 1
1971 [2011] The Inner Mounting Flame
The Inner Mounting Flame is
Mahavishnu Orchestra's first studio album, released in 1971 and consisting solely of original compositions by
John McLaughlin.
The track "You Know, You Know" was sampled in
Massive Attack's "
One Love",
Mos Def's "Kalifornia",
Black Sheep's single "
Similak Child",
David Sylvian's "
I Surrender", Cecil Otter's "
Rebel Yellow" and
Blahzay Blahzay's "Intro" from
Blah Blah Blah album.
A
remastered version of the album, on
CD, was released in 1998 by
Sony Music Entertainment. It features a facsimile of the LP front cover, a new set of
liner notes by
Bob Belden, as well as many photographs of the band. "The Inner Mounting Flame" was included in 2011 as part of "
The Complete Columbia Albums Collection" boxset, along with the other albums by the first line-up of the band, including "
The Lost Trident Sessions". This version includes a version of "The Noonward Race" recorded live at the
Mar Y Sol Pop Festival 3 April 1972. That version was previously available on the compilation album "
Mar Y Sol: The First International Puerto Rico Pop Festival", but the version included in the boxset is two minutes longer.
This is the album that made
John McLaughlin
a semi-household name, a furious, high-energy, yet rigorously conceived
meeting of virtuosos that, for all intents and purposes, defined the
fusion of jazz and rock a year after Miles Davis' Bitches Brew
breakthrough. It also inadvertently led to the derogatory connotation of
the word fusion, for it paved the way for an army of imitators, many of
whose excesses and commercial panderings devalued the entire movement.
Though much was made of the influence of jazz-influenced improvisation
in the
Mahavishnu band, it is the rock element that predominates, stemming directly from the electronic innovations of
Jimi Hendrix. The improvisations, particularly
McLaughlin's post-
Hendrix
machine-gun assaults on double-necked electric guitar and Jerry
Goodman's flights on electric violin, owe more to the freakouts that had
been circulating in progressive rock circles than to jazz, based as
they often are on ostinatos on one chord. These still sound genuinely
thrilling today on CD, as
McLaughlin and
Goodman
battle Jan Hammer's keyboards, Rick Laird's bass, and especially Billy
Cobham's hard-charging drums, whose jazz-trained technique pushed the
envelope for all rock drummers. What doesn't date so well are the
composed medium- and high-velocity unison passages that are played in
such tight lockstep that they can't breathe. There is also time out for
quieter, reflective numbers that are drenched in studied spirituality
("A Lotus on Irish Streams") or irony ("You Know You Know");
McLaughlin
was to do better in that department with less-driven colleagues
elsewhere in his career. Aimed with absolute precision at young rock
fans, this record was wildly popular in its day, and it may have been
the cause of more blown-out home amplifiers than any other record this
side of
Deep Purple.
Tracks Listing
1. Meeting Of The Spirits (6:52)
2. Dawn (5:10)
3. Noonward Race (6:28)
4. A Lotus On Irish Streams (5:39)
5. Vital Transformation (6:16)
6. The Dance Of Maya (7:17)
7. You Know, You Know (5:07)
8. Awakening (3:32)
Total Time: 46:34
Line-up / Musicians
- John McLaughlin / guitar
- Jerry Goodman / violin
- Jan Hammer / piano, electric piano and organ
- Rick Laird / bass
- Billy Cobham / drums
Disc 2
1973 [2011] Birds Of Fire
Birds of Fire is
Mahavishnu Orchestra's second album. It was released in the first half of
1973 and is the last studio album released by the original Mahavishnu Orchestra line-up before the group dissolved, although
Between Nothingness and Eternity,
a live album, was recorded and released later that same year. (The
final studio recordings by this line-up would be released as
The Lost Trident Sessions in 1999).
As in the case of The Mahavishnu Orchestra's previous album,
The Inner Mounting Flame,
Birds of Fire consists solely of compositions by
John McLaughlin. This includes the track "Miles Beyond (
Miles Davis)", which McLaughlin dedicated to his friend and former bandleader.
The back cover of the LP features a poem entitled "Revelation" by
Sri Chinmoy.
A
remastered version of the album, on
CD, was released in 2000 by
Sony Music Entertainment. It features a facsimile of the LP cover and a new set of
liner notes by
Bill Milkowski, as well as photographs of the band.
Emboldened by the popularity of
Inner Mounting Flame among rock audiences, the first
Mahavishnu Orchestra
set out to further define and refine its blistering jazz-rock direction
in its second -- and, no thanks to internal feuding, last -- studio
album. Although it has much of the screaming rock energy and sometimes
exaggerated competitive frenzy of its predecessor,
Birds of Fire
is audibly more varied in texture, even more tightly organized, and
thankfully more musical in content. A remarkable example of precisely
choreographed, high-speed solo trading -- with
John McLaughlin,
Jerry Goodman, and
Jan Hammer
all of one mind, supported by Billy Cobham's machine-gun drumming and
Rick Laird's dancing bass -- can be heard on the aptly named "One Word,"
and the title track is a defining moment of the group's nearly atonal
fury. The band also takes time out for a brief bit of spaced-out
electronic burbling and static called "Sapphire Bullets of Pure Love."
Yet the most enticing pieces of music on the record are the gorgeous,
almost pastoral opening and closing sections to "Open Country Joy," a
relaxed, jocular bit of communal jamming that they ought to have pursued
further. This album actually became a major crossover hit, rising to
number 15 on the pop album charts, and it remains the key item in the
first
Mahavishnu Orchestra's slim discography.
Tracks Listing
1. Birds Of Fire (5:41)
2. Miles Beyond (Miles Davis) (4:39)
3. Celestial Terrestrial Commuters (2:53)
4. Sapphire Bullets Of Pure Love (0:22)
5. Thousand Island Park (3:19)
6. Hope (1:55)
7. One Word (9:54)
8. Sanctuary (5:01)
9. Open Country Joy (3:52)
10. Resolution (2:08)
Total Time: 39:48
Line-up / Musicians
- John McLaughlin / guitar
- Jerry Goodman / violin
- Jan Hammer / piano
- Rick Laird / bass
- Billy Cobham / drums
Disc 3
1973 [2011] The Lost Trident Sessions
The Lost Trident Sessions is a studio album by
jazz fusion group
the Mahavishnu Orchestra, released on 21 September 1999 through
Sony Music Entertainment. It was originally recorded in June 1973 at
Trident Studios but was not released until 26 years later. According to the album's detailed liner notes, in November 1998
Columbia Records producer
Bob Belden stumbled upon two
quarter-inch tapes in Columbia's Los Angeles vault whilst gathering material for a
remastered reissue of the Mahavishnu Orchestra's 1972 album
Birds of Fire. The tapes were otherwise unlabelled besides the recording location, but upon further inspection they were revealed to be the
two-track mixes for what would have been the Mahavishnu Orchestra's third studio album at the time
McLaughlin feels that the Orchestra was never recorded at their peak.
"There is a studio album that never got released which is really good",
he explains. It would have been their third studio album, following
Inner Mounting Flame and Birds of Fire.
"But at the time the record was being made, emotion in the band was
running so high that people could no longer see clearly. Everyone felt
nervous about it". Why? "I don't know why". And McLaughlin did not
pursue it either: "When the people in the band told me how they felt, I
respected it. I didn't ask them to explain why they felt it. That was
enough. So we put a live album out (
Between Nothingness and Eternity) which was good, but it wasn't on the same level. But one day I'd like the album to come out. It's a great album"
With the exception of "John's Song #2", all compositions on this album
were performed on other albums: "Dream", "Trilogy" and "Sister Andrea"
appeared on the Mahavishnu Orchestra's 1973 live album
Between Nothingness and Eternity,
whilst "I Wonder" and "Steppings Tones" appeared on violinist
Jerry Goodman and keyboardist
Jan Hammer's 1974 album
Like Children.
Recorded in London on June 25, 1973, these sessions for a planned third
Mahavishnu Orchestra album were shelved when the band decided to put out the live
Between Nothingness and Eternity
instead. Bootlegged in the past, two-track mixes of the missing album
were discovered in the vaults in the late '90s, paving the way for its
official release in 1999. It's thus the last of the three studio albums
done by the original
Mahavishnu lineup (with
Cobham on drums,
Goodman on violin,
Hammer on keyboards, and
Laird on bass). Although
McLaughlin had been the only composer on the first two
Mahavishnu albums, he penned only three of the six tracks here, with
Hammer writing two and
Laird pitching in one. It's fiery, if perhaps over-busy at times, fusion,
McLaughlin
reaching his most feverish pitches in the frenetic concluding passage
of the ten-minute "Trilogy." The numbers written by other members than
McLaughlin tend to be a little more subdued, and perhaps unsurprisingly less inclined toward burning guitar solos.
Tracks Listing
1. Dream (11:06)
2. Trilogy (9:30)
3. Sister Andrea (6:43)
4. I Wonder (3:07)
5. Stepping Stone (3:09)
6. John's Song (5:54)
Total Time: 39:45
Line-up / Musicians
- John McLaughlin / 6 & 12 string electric guitar & acoustic guitar
- Jerry Goodman / electric violin, viola & violow (custom viola with cello strings)
- Jan Hammer / electric piano & synthesizers
- Rick Laird / bass
- Billy Cobham / drums
Disc 4
1973 [2011] Between Nothingness & Eternity
Between Nothingness & Eternity is the first live album of
Mahavishnu Orchestra, and last with the original line-up, released in 1973.
According to the Mahavishnu Orchestra Gigs listing by Walter Kolosky, it was recorded live at the
Schaefer Music Festival, held in
Central Park, New York on August 17 and 18, 1973,
even though, available recordings seems to prove that all of the
material from the album was actually taken from the second night only.
Originally, Mahavishnu Orchestra's third album was to be a studio one, recorded in June 1973 at
Trident Studios in
London,
but was scrapped during the final days of the project. A live album
containing versions of three out of the original six tracks came out
instead. The original studio album was later released in 1999 as
The Lost Trident Sessions.
Between Nothingness & Eternity was included in 2011 as part of
The Complete Columbia Albums Collection
boxset, along with the other albums by the first line-up of the band,
including "The Lost Trident Sessions". This new version was a new
different mix with an additional minute of music on "Sister Andrea". The
boxset also contained an album called "
Unreleased Tracks from Between Nothingness & Eternity" which contains other selections from the two Central Park shows.
The first
Mahavishnu Orchestra's
original very slim catalog was padded out somewhat by this live album
(recorded in New York's Central Park) on which the five jazz/rock
virtuosos can be heard stretching out at greater length than in the
studio. There are only three selections on the disc, all of which were
to have been on the group's then-unissued third album -- two of them,
guitarist
John McLaughlin's "Trilogy: Sunlit Path/La Merede la Mer" and keyboardist
Jan Hammer's "Sister Andrea," are proportioned roughly as they were in their studio renditions, while the third,
McLaughlin's
"Dream," is stretched to nearly double its 11-minute studio length.
Each develops organically through a number of sections, and there are
fewer lockstep unison passages than on the earlier recordings.
McLaughlin is as flashy and noisy as ever on double-necked electric guitar, and
Hammer and violinist
Jerry Goodman are a match for him in the speed department, with drummer
Billy Cobham displaying a compelling, raw power and dexterity to his work as well, especially on the CD edition, which also gives bassist
Rich Laird
a showcase for his slightly subtler work. Yet for all of the superb
playing, one really doesn't hear much music on this album; electricity
and competitive empathy are clearly not enough, particularly on the
21-minute "Dream," which left a lot of fans feeling let down at the end
of its side-two-filling run on the LP. In the decades since this album
was released, the studio versions of these three pieces, along with
other tracks being worked up for their third album, have appeared as
The Lost Trident Sessions
-- dating from May and June of 1973 -- thus giving fans a means of
comparing this repertory to what the band had worked out (or not worked
out) in the studio; and
Between Nothingness and Eternity
has come up a bit in estimation as a result, benefiting as it does from
the spontaneity and energy of a live performance, though even that can
only carry this work so far -- beyond the personality conflicts that
broke up the band, they seem to have been approaching, though not quite
reaching, a musical dead end as well.
Tracks Listing
1. Trilogy Medley (12:01)
... The Sunlit Path
... La Mere De La Mer
... Tomorrow's Story Not The Same
2. Sister Andrea (8:22)
3. Dream (21:24)
Total Time: 41:47
Line-up / Musicians
- Jerry Goodman / violin
- Jan Hammer / synthesizer, piano, keyboards, Moog synthesizer
- Rick Laird / bass
- John McLaughlin / synthesizer, guitar
- Sri Chinmoy / poetry
- Billy Cobham / drums
Disc 5
1973 [2011] Unreleased Tracks from Between Nothingness and Eternity
Unreleased Tracks from Between Nothingness & Eternity is a live album by the
Mahavishnu Orchestra, first released in 2011 as part of
The Complete Columbia Albums Collection boxset, along with the other albums by the first line-up of the band, including
The Lost Trident Sessions.
As the title explains, the album contains other selections from the two
Central Park shows from August 1973 from which the live album
Between Nothingness and Eternity was culled.
While the other half of this concert, recorded in August 1973 in NYC's
Central Park, was released as Mahavishnu Orchestra's third album, these
recordings have been sitting in a vault for almost 40 years. Well recorded, and with at times, blistering performances,
this concert should be regarded as essential. The Mahavishnu Orchestra (original lineup) only existed for two short years. Get this. You will be glad you did.
Shame on Columbia records for keeping this hidden for 40 years. They
seem to have a fetish for this sort of thing. After all, they allowed
what we now have as "The Lost Trident Sessions" to languish unseen for
25 years. It was live versions of the major songs from that recording
which Columbia released as the original "Between Nothingness &
Eternity." This second volume from that same concert contains a shorty
from "Trident" and three pieces each from "The Inner Mounting Flame" and
"Birds Of Fire." But these are not simply readings of familiar tunes.
This is a band at the pinnacle of its estimable powers. Each player is
a brilliant soloist, but also a team player who comps for the others.
The guys have stretched and squashed these pieces, smacked them flat and
thrown them over, popped them inside out and played them backwards.
They've wrung as much joy, peace, exuberance, anguish, anger and
laughter from them as possible, until they resemble the originals at
times, but also not at all. This is muscular music which calls to mind a
world record athletic performance: its tempos are furious, its
harmonies angular and shifting, its rhythms thunderous yet intricate,
its execution serving precision and inspiration equally. It will hit
you in the solar plexus and knock the wind straight out of you.
Five
stars is not nearly enough for this music. How about several hundred
each for Billy, Rick, Jan, Jerry and Johnny Mac. And another hundred
for Rex Bogue's (RIP) magnificent double rainbow, the finest example
possible of the right guitar for the right player.
Track listing:
1 Hope 1:48
2 Awakening 14:09
3 You Know, You Know 7:12
4 One Word 18:30
5 Stepping Tones 2:02
6 Vital Transformation 6:16
7 The Dance Of The Maya 14:04
Line-up / Musicians
- John McLaughlin / guitar
- Jerry Goodman / violin
- Jan Hammer / piano
- Rick Laird / bass
- Billy Cobham / drums
